Composer Simon Franglen Defends Live Music at WSA Film Music Days

4 min read
Composer Simon Franglen Defends Live Music at WSA Film Music Days

Panel Highlights at WSA Film Music Days

The World Soundtrack Awards gathered composers, producers and industry leaders in Ghent for a focused discussion on the future of film scoring. The panel, titled “Defending Our Art,” featured Simon Franglen, known for his work on the upcoming Avatar: Fire and Ash, alongside several veteran composers.

Organisers emphasized the need for a collective voice as technology reshapes production methods. The conversation turned toward the tangible impact of live musicians on narrative storytelling.

Simon Franglen on the Human Element of Scoring

Franglen opened the session by recalling a recent recording session for Avatar: Fire and Ash. “We had hundreds of musicians in a room, pouring their emotion into each cue,” he said. “That shared energy cannot be reproduced by any other means.”

He highlighted three core reasons why live performance remains essential:

  1. Emotional nuance that emerges from human interaction.
  2. Dynamic responsiveness to visual cues during recording.
  3. Cultural authenticity that musicians bring from diverse backgrounds.

Franglen’s remarks were supported by data from the World Soundtrack Awards organization, which reports that audiences consistently rate films with live orchestration higher on emotional impact.

Behind the Scenes of a Massive Score

During the Avatar sessions, a full symphonic orchestra, choir and ethnic instrumentalists were recorded over several weeks. The composer explained that the layering process allowed subtle shifts in timbre that would be impossible to program accurately.

“When a violinist bends a note, you hear a story within the story,” he noted. “That micro‑expression is what gives a film its heart.”

Industry Voices on Protecting Musical Craft

Other panelists echoed Franglen’s concerns. Veteran composer Hans Zimmer stressed that the craft of arranging for live ensembles is a skill passed down through generations.

“We have schools, workshops and mentorship programs that teach how to write for strings, brass and percussion,” Zimmer said. “If we lose the demand for those musicians, the knowledge chain breaks.”

A representative from the American Federation of Musicians added that many freelance players rely on film work as a primary source of income. The union is currently lobbying for contractual safeguards that ensure fair compensation for live recording sessions.

Key Recommendations from the Panel

  • Include a clause in production contracts that specifies a minimum percentage of live‑recorded material.
  • Establish industry‑wide standards for crediting session musicians.
  • Create funding programs that support emerging composers who commit to live orchestration.

The Role of Large Ensembles in Modern Film

Modern blockbusters often blend electronic elements with traditional orchestras. The panel discussed how this hybrid approach can enhance storytelling when used responsibly.

For example, the score for Avatar: Fire and Ash integrates synthesized textures to represent the alien world, while the human characters are underscored by a live orchestra that conveys their emotional journey.

Composer Ramin Djawadi, known for his work on Game of Thrones, explained that “the contrast between synthetic soundscapes and acoustic instruments creates a dialogue that mirrors the film’s themes.”

Case Study: Live Recording Benefits

A recent study by the National Public Radio highlighted that viewers reported higher immersion levels when a film’s score was performed by a live orchestra compared with a fully digital score. The research measured physiological responses such as heart rate variability, indicating deeper emotional engagement.

Looking Ahead: Commitment to Artistic Integrity

The panel concluded with a call to action for studios, composers and audiences alike. Franglen urged fellow creators to “continue to champion the musicians who give life to our soundtracks.” He emphasized that preserving live performance is not a nostalgic stance, but a strategic investment in the artistic quality of cinema.

In the words of the Ghent city cultural office, “Ghent has long been a hub for music innovation. Supporting live film music aligns with the city’s commitment to cultural excellence.”

As the industry evolves, the consensus among the panelists is clear: the human touch of live musicians remains a non‑negotiable element of compelling storytelling.

For readers interested in exploring more about the upcoming Avatar sequel, official information can be found on the Avatar franchise website. The World Soundtrack Awards will continue to host panels that address these vital topics throughout the year.

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